Interior Monologue as Social Critique in James Kelman’s How Late It Was, How Late (1994)
James Kelman’s use of interior monologue, in his novel How Late It Was, How Late, portrays a consciousness enacting Althusser’s modern state paradox: a contradiction within the subject between the ideology of free subjectivity and the reality of subjection. Protagonist Sammy Samuel displays this con...
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| Veröffentlicht in: | URI:https://journals.openedition.org/ebc, |
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| Format: | Article ou chapitre numérique |
| Sprache: | Anglais |
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Études britanniques contemporaines
2019
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |