Great Virtue in Linoleum: Objects, Subjects and Things in the Work of Harold Pinter
After outlining at some length the major strategies with which Pinter manipulates, modifies, metamorphoses objects in his drama, the article prefers to look at a specific case: the linoleum of the title. As signified, it is seen, typically, to crystalllize key conflictual tensions, scenic, social an...
Kaydedildi:
| Yayımlandı: | URI:https://journals.openedition.org/ebc, |
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| Yazar: | |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
| Baskı/Yayın Bilgisi: |
Études britanniques contemporaines
2019
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| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Özet: | After outlining at some length the major strategies with which Pinter manipulates, modifies, metamorphoses objects in his drama, the article prefers to look at a specific case: the linoleum of the title. As signified, it is seen, typically, to crystalllize key conflictual tensions, scenic, social and cultural of the conjuncture; as signifier, derealized, it comes to encapsulate a seminal logic of representation in Pinter’s work. |
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