History in Tatters: Bodies and Things in Samuel Beckett’s Theatre
History in Tatters: Bodies and Things in Samuel Beckett’s Theatre (A. McMullan)Drawing on concepts such as the chiasm in Merleau-Ponty’s The Visible and the Invisible, this article argues that Beckett’s theatre creates a dynamic stage space that includes a spectrum of being from human to things. On...
Enregistré dans:
| Udgivet i: | URI:https://journals.openedition.org/ebc, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
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Études britanniques contemporaines
2019
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |