Sarah Waters, Contemporary Critical Perspectives, ed. Kaye Mitchell
Since the publication of her first novel, Tipping the Velvet, in 1998, Sarah Waters has quickly become one of the most prominent authors of her generation. She enjoys both popular and critical acclaim as the introduction to this issue of Contemporary Critical Perspectives reminds us. First pigeonho...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/ebc, |
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| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Anglais |
| প্রকাশিত: |
Études britanniques contemporaines
2017
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| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| সংক্ষিপ্ত: | Since the publication of her first novel, Tipping the Velvet, in 1998, Sarah Waters has quickly become one of the most prominent authors of her generation. She enjoys both popular and critical acclaim as the introduction to this issue of Contemporary Critical Perspectives reminds us. First pigeonholed as a lesbian neo-Victorian novelist, Waters’s reception has evolved to include attention paid to other aspects of her works. Her fourth novel, The Night Watch (2006), consensually marked a turn... |
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