John Beer, D. H. Lawrence: Nature, Narrative, Art, Identity
Rather than squarely delineating a conceptual frame of reference, the four-headed title of Pr. Beer’s latest book represents the encyclopaedic scope of Lawrence’s interests—he was not a man to leave any corner of human knowledge unscrutinized. The ‘nature’ dimension refers to Lawrence’s preoccupati...
Kaydedildi:
| Yayımlandı: | URI:https://journals.openedition.org/ebc, |
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| Yazar: | |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
| Baskı/Yayın Bilgisi: |
Études britanniques contemporaines
2015
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| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Özet: | Rather than squarely delineating a conceptual frame of reference, the four-headed title of Pr. Beer’s latest book represents the encyclopaedic scope of Lawrence’s interests—he was not a man to leave any corner of human knowledge unscrutinized. The ‘nature’ dimension refers to Lawrence’s preoccupation with ‘the nature of life itself and the centrality of the organic’, in its manifestations of ‘quiet vegetative growth’ as well as in the ‘infinity of animation’ perceptible in its midst, while t... |
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