‘I keep my head down, quite invisible in this picture-book scene’: Poetics and Politics of In/visibility in Yrsa Daley-Ward’s The Terrible: A Storyteller’s Memoir (2018)
This article examines Yrsa Daley-Ward’s The Terrible: A Storyteller’s Memoir (2018) as a formal and political reconfiguration of contemporary life writing. It argues that the memoir’s political force lies less in the singularity of the experiences it recounts than in the formal strategies through wh...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ebc, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Études britanniques contemporaines
2026
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |