‘Tangles of What-Might-Have-Been’: Destiny as Shapeshifting Forces in Daisy Johnson’s Everything Under
Daisy Johnson’s Everything Under questions transitions through a rewriting of the Oedipus myth, in a nonlinear structure that mirrors the ontological instability of its characters. Set on Oxford’s Isis River, it uses water’s shifting nature as a metaphor for identity and fate. Gretel, a lexicographe...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ebc, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Études britanniques contemporaines
2026
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |