Transmission as Fabrication in Graham Swift’s Shuttlecock (1981) and Wish You Were Here (2011)
For Graham Swift, as for many authors of the immediate post-World War II generation, transmitting memories and stories of the past—especially of the two world wars but also more recently, the Iraq war—to the next generations, especially as those who lived them are dying out, is part of a writer’s du...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ebc, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Études britanniques contemporaines
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |