Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature

The centennial of the modernist annus mirabilis of 1922, coupled with the tail-end of the Covid pandemic, have made 2022 a year of celebrations among modernist scholars. Homages, reappraisals, rediscoveries and other sums have abounded, recontextualising yet also by their very nature confirming the...

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מחבר ראשי: Hercend, Olivier
פורמט: Article ou chapitre numérique
שפה:Anglais
יצא לאור: Études britanniques contemporaines 2023
גישה מקוונת:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:ebc_13619 https://doi.org/10.4000/ebc.13619 urn:doi:10.4000/ebc.13619 en https://journals.openedition.org/ebc/13619 2023-05-30T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/fega https://creativecommons.org/licenses/by-nc-nd/4.0/ Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature The centennial of the modernist annus mirabilis of 1922, coupled with the tail-end of the Covid pandemic, have made 2022 a year of celebrations among modernist scholars. Homages, reappraisals, rediscoveries and other sums have abounded, recontextualising yet also by their very nature confirming the central place of the canon in modernist studies. In this broader movement, Monica Latham, Caroline Marie and Anne-Laure Rigeade’s Recycling Woolf in Contemporary Art and Literature takes a very or... Études britanniques contemporaines Presses universitaires de la Méditerranée info:eu-repo/semantics/reference/issn/2271-5444 info:eu-repo/semantics/reference/issn/1168-4917 URI:https://journals.openedition.org/ebc Hercend, Olivier
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
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description The centennial of the modernist annus mirabilis of 1922, coupled with the tail-end of the Covid pandemic, have made 2022 a year of celebrations among modernist scholars. Homages, reappraisals, rediscoveries and other sums have abounded, recontextualising yet also by their very nature confirming the central place of the canon in modernist studies. In this broader movement, Monica Latham, Caroline Marie and Anne-Laure Rigeade’s Recycling Woolf in Contemporary Art and Literature takes a very or...
author Hercend, Olivier
spellingShingle Hercend, Olivier
Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature
author_facet Hercend, Olivier
author_sort Hercend, Olivier
title Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature
title_short Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature
title_full Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature
title_fullStr Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature
title_full_unstemmed Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature
title_sort monica latham, caroline marie and anne-laure rigeade, eds., recycling virginia woolf in contemporary art and literature
publisher Études britanniques contemporaines
publishDate 2023
container_title URI:https://journals.openedition.org/ebc
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ebc.13619
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ebc/13619
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