Monica Latham, Caroline Marie and Anne-Laure Rigeade, eds., Recycling Virginia Woolf in Contemporary Art and Literature
The centennial of the modernist annus mirabilis of 1922, coupled with the tail-end of the Covid pandemic, have made 2022 a year of celebrations among modernist scholars. Homages, reappraisals, rediscoveries and other sums have abounded, recontextualising yet also by their very nature confirming the...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/ebc, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Études britanniques contemporaines
2023
|
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | The centennial of the modernist annus mirabilis of 1922, coupled with the tail-end of the Covid pandemic, have made 2022 a year of celebrations among modernist scholars. Homages, reappraisals, rediscoveries and other sums have abounded, recontextualising yet also by their very nature confirming the central place of the canon in modernist studies. In this broader movement, Monica Latham, Caroline Marie and Anne-Laure Rigeade’s Recycling Woolf in Contemporary Art and Literature takes a very or... |
|---|