Andrew McKeown and Adrian Grafe, Edward Thomas’ Roads from Arras
In the introductory poem of her collection Singing in the Dark (2008), Alison Brackenbury places herself under Edward Thomas’ shadowy aegis: ‘We leave no mark. / His voice, she writes, was clear and quiet. / I hear him singing in the dark’ (‘Edward Thomas’ Daughter’). The question of the legacy lef...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ebc, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Études britanniques contemporaines
2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |