Andrew McKeown and Adrian Grafe, Edward Thomas’ Roads from Arras
In the introductory poem of her collection Singing in the Dark (2008), Alison Brackenbury places herself under Edward Thomas’ shadowy aegis: ‘We leave no mark. / His voice, she writes, was clear and quiet. / I hear him singing in the dark’ (‘Edward Thomas’ Daughter’). The question of the legacy lef...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/ebc, |
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| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Anglais |
| প্রকাশিত: |
Études britanniques contemporaines
2021
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| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| সংক্ষিপ্ত: | In the introductory poem of her collection Singing in the Dark (2008), Alison Brackenbury places herself under Edward Thomas’ shadowy aegis: ‘We leave no mark. / His voice, she writes, was clear and quiet. / I hear him singing in the dark’ (‘Edward Thomas’ Daughter’). The question of the legacy left by such an influential yet elusive poet is, in part, what Andrew McKeown and Adrian Grafe’s Edward Thomas’ Roads from Arras seeks to address by proposing to follow the road his poetry has taken s... |
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