Susan Reid, D. H. Lawrence, Music and Modernism
In 1984, Anthony Burgess completed a cycle of four songs based on poems by D. H. Lawrence. The cycle, titled Man Who Has Come Through, was premiered in Nottingham in 1985 to celebrate Lawrence’s centenary. Susan Reid’s consideration of Burgess’s ‘D. H. Lawrence Suite’, in an Afterword to her book D...
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| In: | URI:https://journals.openedition.org/ebc, |
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| Format: | Article ou chapitre numérique |
| Language: | Anglais |
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Études britanniques contemporaines
2021
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | In 1984, Anthony Burgess completed a cycle of four songs based on poems by D. H. Lawrence. The cycle, titled Man Who Has Come Through, was premiered in Nottingham in 1985 to celebrate Lawrence’s centenary. Susan Reid’s consideration of Burgess’s ‘D. H. Lawrence Suite’, in an Afterword to her book D. H. Lawrence, Music and Modernism, is just one of the fascinating reads in this ambitious monograph.So far, Wagner-dominated discussions have made up the bulk of already existing critical literatu... |
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