La peur du prolétaire et les paradoxes du socialisme shavien dans Widowers’ Houses
As a socialist reformer and critic of revolutionary Marxism, the Fabian Bernard Shaw was intent on entrusting the middle-class bourgeoisie with the march to collectivism. His first dramatic work, Widowers’ Houses, is pervaded with the ambivalence underlying such a stance. Beyond the fear that is rep...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/cve, |
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| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Français |
| প্রকাশিত: |
Cahiers victoriens et édouardiens
2021
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| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| সংক্ষিপ্ত: | As a socialist reformer and critic of revolutionary Marxism, the Fabian Bernard Shaw was intent on entrusting the middle-class bourgeoisie with the march to collectivism. His first dramatic work, Widowers’ Houses, is pervaded with the ambivalence underlying such a stance. Beyond the fear that is represented throughout and the dread of capitalism that it seeks to bring about among the Victorian public, the play builds up a dramaturgy of threat, breaking with the fashionable theatres of late nineteenth century London and paradoxically making the proletarian into both a victim and symptom of capitalist immorality. |
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