Martin Hipsky (éd.), Modernism and the Women’s Popular Romance in Britain, 1885-1925
Martin Hipsky addresses the popular romances of the late nineteenth and early twentieth-century, that is, the best-selling novels of the time which, however, have not yet found their (rightful) place in literary history. Redressing the “romance gap”—mostly the work of women romance writers—aims at...
Enregistré dans:
| Udgivet i: | URI:https://journals.openedition.org/cve, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
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Cahiers victoriens et édouardiens
2013
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | Martin Hipsky addresses the popular romances of the late nineteenth and early twentieth-century, that is, the best-selling novels of the time which, however, have not yet found their (rightful) place in literary history. Redressing the “romance gap”—mostly the work of women romance writers—aims at a better understanding of literary modernism and its connections with fin-de-siècle fiction. Studying the “low modern” shows how the traditional romance developed into new forms and how canonical m... |
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