Barbara Hardy, Dorothea’s Daughter and Other Nineteenth-Century Postscripts
Barbara Hardy, in her little gem of a book, Dorothea’s Daughter and Other Nineteenth-Century Postcripts, offers us delightful insights into how each of the novels could/would have unfolded after the final full stop—if there had been no such stop. She herself calls her stories ‘postscripts’, as her...
保存先:
| 出版年: | URI:https://journals.openedition.org/cve, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Cahiers victoriens et édouardiens
2013
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Barbara Hardy, in her little gem of a book, Dorothea’s Daughter and Other Nineteenth-Century Postcripts, offers us delightful insights into how each of the novels could/would have unfolded after the final full stop—if there had been no such stop. She herself calls her stories ‘postscripts’, as her position is clearly that of an author, but an author who would like to delay the moment when ‘it is finished’, and who turns back to reflect upon her/his creation.By choosing this very difficult st... |
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