Andrea Korda, Printing and Painting the News in Victorian London: The Graphic and Social Realism, 1869-1891
The role of mechanical reproduction in Victorian visual arts is a stimulating area of research. The assumption that this process entailed an impoverishment of artistic expression is often taken for granted as against the tenet of originality and singularity that enabled advocates of the revival of...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/cve, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado: |
Cahiers victoriens et édouardiens
2017
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | The role of mechanical reproduction in Victorian visual arts is a stimulating area of research. The assumption that this process entailed an impoverishment of artistic expression is often taken for granted as against the tenet of originality and singularity that enabled advocates of the revival of the graphic arts to secure a niche in a highly competitive market. Printing and Painting the News in Victorian London offers a different picture as Andrea Korda aims to revise the dichotomy between... |
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