Introduction: Performing, Translating, and Adapting from the French in Victorian Britain
In an article published in The Theatre on July 1st, 1897, suggestively titled ‘The French Invasion’, British author Edward Morton denounced the relentless importation of French plays and actors, decrying how ‘at half a dozen theatres, English translations, versions or perversions of French plays ar...
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| Опубликовано в: : | URI:https://journals.openedition.org/cve, |
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| Главный автор: | |
| Формат: | Article ou chapitre numérique |
| Язык: | Français |
| Опубликовано: |
Cahiers victoriens et édouardiens
2017
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| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Итог: | In an article published in The Theatre on July 1st, 1897, suggestively titled ‘The French Invasion’, British author Edward Morton denounced the relentless importation of French plays and actors, decrying how ‘at half a dozen theatres, English translations, versions or perversions of French plays are now being performed, to say nothing of the French comedians in possession of the Adelphi and the Lyric’. The openly belligerent tone of the article voiced the hostility of opinionated critics who... |
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