The Resurgence of Ideology in Bernard Shaw’s Mrs Warren’s Profession (1893)
In the last of his Plays Unpleasant, Shaw delves into the economic roots of prostitution, deconstructing the woman-with-a-past sham and its underlying conservative ideology. The socialist playwright and theorist seeks to lay the blame on the capitalist system and on a middle-class public all too eag...
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| Publicat a: | URI:https://journals.openedition.org/cve, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Cahiers victoriens et édouardiens
2017
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | In the last of his Plays Unpleasant, Shaw delves into the economic roots of prostitution, deconstructing the woman-with-a-past sham and its underlying conservative ideology. The socialist playwright and theorist seeks to lay the blame on the capitalist system and on a middle-class public all too eager to ascribe prostitution to merely individual villainy. Echoing the standpoint of Victorian social reformers, Mrs Warren’s Profession explodes the well-made play pattern to shatter commonplaces and pave the way to a drama of ideas. Yet this aesthetics also points to the Fabian paradox of moral conversion as a prerequisite to action. |
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