Michael John Disanto, Under Conrad’s Eyes. The Novel as Criticism
Michael DiSanto’s approach is rooted in the conviction that Conradian criticism, “monopolized” by post-colonial studies (15), and discussions of Conrad’s modernity, has not sufficiently acknowledged Conrad’s indebtedness to nineteenth-century philosophers and novelists. It is thus to correct this i...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/cve, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Cahiers victoriens et édouardiens
2016
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |