Introduction
The reasons for the great success of Victorian and Edwardian novels with producers, screenwriters, film directors, actors and spectators alike are many, even if each category involved may have different reasons for being interested in the process. The first that comes to mind is the international p...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/cve, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Cahiers victoriens et édouardiens
2016
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | The reasons for the great success of Victorian and Edwardian novels with producers, screenwriters, film directors, actors and spectators alike are many, even if each category involved may have different reasons for being interested in the process. The first that comes to mind is the international popularity of the source materials such as Dickens’s A Christmas Carol (1843), Emily Brontë’s Wuthering Heights (1847), or Forster’s A Room with a View (1908). The nineteenth century is acknowledged... |
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