Marianne Camus, Women’s Voices in the Fiction of Elizabeth Gaskell (1810–65)
This is a Gaskell study for our time. Only two previous appraisals have taken account of the whole Gaskell oeuvre, and both were published more than a generation ago. Moreover, most earlier criticism was informed, as Marianne Camus ironically observes, by the ‘belief that Gaskell suffered from the...
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| الحاوية / القاعدة: | URI:https://journals.openedition.org/cve, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Cahiers victoriens et édouardiens
2026
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | This is a Gaskell study for our time. Only two previous appraisals have taken account of the whole Gaskell oeuvre, and both were published more than a generation ago. Moreover, most earlier criticism was informed, as Marianne Camus ironically observes, by the ‘belief that Gaskell suffered from the handicap of a feminine mind’. Her own book, through a careful marshalling of evidence from across some thirty novels and shorter fictional works (some of them virtually unknown even to literary spe... |
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