Représenter le crime : permanences et inflexions (France, xixe siècle)
Crime and delinquency have always been one of the major themes of popular culture and representations which fashion social imagination. In France, the July Monarchy (1830-1848) was a crucial moment in which representations, figures and renewed interpretations of this phenomenon converged. This trend...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/cve, |
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| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Français |
| প্রকাশিত: |
Cahiers victoriens et édouardiens
2024
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| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| সংক্ষিপ্ত: | Crime and delinquency have always been one of the major themes of popular culture and representations which fashion social imagination. In France, the July Monarchy (1830-1848) was a crucial moment in which representations, figures and renewed interpretations of this phenomenon converged. This trend has been very clearly described by Louis Chevalier in his book about working classes and dangerous classes (Classes laborieuses, et classes dangeureuses à Paris...). However, the last third of the nineteenth century was a new turning point : indeed following the rapid growth of cultural industries and the development of a parliamentary democracy, modes of representation began to change. The passion for inquiries which was then at its height, influenced the staging, the figures and the political assessment of criminal and delinquency cases, which are the origin of modern conceptions of insecurity. |
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