Texte, trame, signe : les ficelles de l’art selon Dante Gabriel Rossetti
In the gallery of Dante Gabriel Rossetti’s so-called “double works of art”, Proserpina has often been singled out as the artist’s masterpiece. The aim of this article is to question or reassert this view by uncovering the Dantean subtext that informs the 1874 version of the painting and deciphering...
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| Argitaratua izan da: | URI:https://journals.openedition.org/cve, |
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| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Français |
| Argitaratua: |
Cahiers victoriens et édouardiens
2023
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |