Susan E. Cook, Victorian Negatives. Literary Culture and the Dark Side of Photography in the Nineteenth Century
Susan E. Cook’s essay purports to tread on a tradition that joins photography and literature in an attempt to analyse what the often oversimplified term ‘realism’ covers. Alongside interdisciplinary studies of visual culture and fiction, she endeavours to demonstrate that the history of photography...
Enregistré dans:
| Udgivet i: | URI:https://journals.openedition.org/cve, |
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| Hovedforfatter: | |
| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
| Udgivet: |
Cahiers victoriens et édouardiens
2022
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | Susan E. Cook’s essay purports to tread on a tradition that joins photography and literature in an attempt to analyse what the often oversimplified term ‘realism’ covers. Alongside interdisciplinary studies of visual culture and fiction, she endeavours to demonstrate that the history of photography contends with much more than the eye can meet; in other words, as history has shown, photography shares an uneasy relationship with the real, and literature can aptly testify to it, by exemplifyin... |
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