Producing the Popular: John Monk Foster and the ‘Industrial Romance’
This article argues that John Monk Foster’s serialised novel A Pit-Brow Lassie (1889) is an example of the quietist ‘culture of consolation’ which conflates the popular with the commercial and decouples the former from its earlier radical implications. It begins with a brief biographical sketch of M...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/cve, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Cahiers victoriens et édouardiens
2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |