Aux sources du sensationnel : Wilkie Collins lecteur de l’abbé Prévost ?
This study offers a new hypothesis about the « fact » upon which Wilkie Collins’s Basil is supposed to be founded and reads this first sensational novel not as an alleged biography but as a meticulous rewriting of an 18th-century newspaper anecdote : « Histoire du désespéré », published by Prévost i...
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| Publicado no: | URI:https://journals.openedition.org/cve, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicado em: |
Cahiers victoriens et édouardiens
2022
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | This study offers a new hypothesis about the « fact » upon which Wilkie Collins’s Basil is supposed to be founded and reads this first sensational novel not as an alleged biography but as a meticulous rewriting of an 18th-century newspaper anecdote : « Histoire du désespéré », published by Prévost in his journal Le Pour et contre. It analyses the author’s particular strategy in amplifying this « true story » and tries to explain the more general pertinence of Prévost’s work as a journalist and a « documentary novelist » for the formation of Wilkie Collins’s poetics of fiction. A relation is thus established between Basil and Prévost’s Histoire du chevalier des Grieux et de Manon Lescaut, the relevance of which, more than a century after its publication, can be explained by the current success of another and most recent rewriting of Manon Lescaut : Dumas fils’s La Dame aux camélias... |
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