Foreword
In the second half of the nineteenth century British art and literature were largely shaped by the prismatic influence of Pre-Raphaelitism. To a certain extent, fin-de-siècle Aestheticism can be seen as an outgrowth of Pre-Raphaelitism as it was reworked and inflected by artists and writers reactin...
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| Vydáno v: | URI:https://journals.openedition.org/cve, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
| Vydáno: |
Cahiers victoriens et édouardiens
2015
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | In the second half of the nineteenth century British art and literature were largely shaped by the prismatic influence of Pre-Raphaelitism. To a certain extent, fin-de-siècle Aestheticism can be seen as an outgrowth of Pre-Raphaelitism as it was reworked and inflected by artists and writers reacting both to experimental continental trends—such as French l’art pour l’art, Impressionism, Naturalism, Decadence and Symbolism—and to an increasingly commodified British cultural market which they d... |
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