Shannon Hunter Hurtado, Genteel Mavericks
In this book, the twenty-seventh volume in the CISRA (Cultural Interactions: Studies in the Relationship between the Arts) series edited by J.-B. Bullen, the author aims to revitalise four eminent Victorian female sculptors, who may have otherwise faded into oblivion. Through a meticulous examinati...
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| Publicado no: | URI:https://journals.openedition.org/cve, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Cahiers victoriens et édouardiens
2014
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | In this book, the twenty-seventh volume in the CISRA (Cultural Interactions: Studies in the Relationship between the Arts) series edited by J.-B. Bullen, the author aims to revitalise four eminent Victorian female sculptors, who may have otherwise faded into oblivion. Through a meticulous examination of unpublished letters, papers and diaries of Mary Grant, Amelia Paton Hill, Susan Durant and Mary Thornycroft, Shannon Hunter Hurtado gives flesh to their names. The author shows how these four... |
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