Learning to be a good husband : competing masculine identities in the Roman du Comte d’Artois
For modern critics, medieval romance was an important literary vehicle for the dissemination of contemporary gender ideologies. However, whilst studies of the construction of feminine identities in romance have proliferated in recent years, less attention has been paid to medieval views of masculin...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/crm, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicado: |
Cahiers de recherches médiévales
2006
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | For modern critics, medieval romance was an important literary vehicle for the dissemination of contemporary gender ideologies. However, whilst studies of the construction of feminine identities in romance have proliferated in recent years, less attention has been paid to medieval views of masculinity. In particular, there is one masculine role which remains largely unexplored in recent discussions of romance, even though it was crucial for the functioning of medieval gender ideology : that ... |
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