Guillaume de Palerne : une parodie ?
Guillaume de Palerne is based on an efficient intertextuality, without any critical purpose, as far as « amour courtois » and epic fights are concerned. On the contrary, the werewolf and the merveille depart from topoi and literary traditions. Their representation shows parody in the classic sense o...
保存先:
| 出版年: | URI:https://journals.openedition.org/crm, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
Cahiers de recherches médiévales
2011
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Guillaume de Palerne is based on an efficient intertextuality, without any critical purpose, as far as « amour courtois » and epic fights are concerned. On the contrary, the werewolf and the merveille depart from topoi and literary traditions. Their representation shows parody in the classic sense of the word, in a text which takes its distances from the arthurian standards and the Graal. |
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