Le Ditié de Jehanne d’Arc de Christine de Pizan
It is well-known that a lot of medieval poets used numeric symbolism and rhetoric to build their texts. Such a procédé occurs in religious or moral litterature (Chansons de la Vierge of Gautier de Coinci) as in profane and didactic texts (Songe de Pestilence of Henri de Ferrières…). It seems that Ch...
Sábháilte in:
| Foilsithe in: | URI:https://journals.openedition.org/crm, |
|---|---|
| Príomhchruthaitheoir: | |
| Formáid: | Article ou chapitre numérique |
| Teanga: | Français |
| Foilsithe / Cruthaithe: |
Cahiers de recherches médiévales
2008
|
| Rochtain ar líne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Achoimre: | It is well-known that a lot of medieval poets used numeric symbolism and rhetoric to build their texts. Such a procédé occurs in religious or moral litterature (Chansons de la Vierge of Gautier de Coinci) as in profane and didactic texts (Songe de Pestilence of Henri de Ferrières…). It seems that Christine, the interest of who for scientific matteris well known, uses in turn the procédé in her Ditié de Jeanne d’Arc, with the purpose to better shed light on History by the way of Holy Scripture. |
|---|