Sur la vergogna dans le Décaméron
After describing and illustrating by reference to Dante’s Convivio the main lines of the context in which the question of passions in Boccaccio’s Decameron can be understood, the study focuses on one passion in particular : “vergogna”. “Vergogna” is in fact composed of affects that cannot be reduced...
Guardado en:
| Publicado en: | URI:https://journals.openedition.org/crm, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Français |
| Publicado: |
Cahiers de recherches médiévales
2012
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumario: | After describing and illustrating by reference to Dante’s Convivio the main lines of the context in which the question of passions in Boccaccio’s Decameron can be understood, the study focuses on one passion in particular : “vergogna”. “Vergogna” is in fact composed of affects that cannot be reduced to one another. The study analyses one of them that appears to play a regulatory function, not only in the mimesis of the “human comedy” as respresented by the different narrators, but also metatextually, in terms of the strategy the author deploys. This strategy not only provides the text –taken as a unitarian whole– with an efficient principle of internal cohesion ; it also calls into play quite specific options as regards “practical” philosophy. |
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