Representing the Poetics of Place. A conversation with Steven Feld
“The juxtaposition of contrasting grammatical concepts may be compared with the so‑called ‘dynamic cutting’ in film montage, a type of cutting, which, e.g, in Spottiswoode’s definition, uses the juxtaposition of contrasting shots or sequences to generate in the mind of the spectator ideas that thes...
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| Publicat a: | URI:https://journals.openedition.org/clo, |
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| Autors principals: | , |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Cahiers de littérature orale
2021
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | “The juxtaposition of contrasting grammatical concepts may be compared with the so‑called ‘dynamic cutting’ in film montage, a type of cutting, which, e.g, in Spottiswoode’s definition, uses the juxtaposition of contrasting shots or sequences to generate in the mind of the spectator ideas that these shots or sequences by themselves do not carry.”Roman JakobsonK.M: The poetics of place has been a central theme in your work since the 1970s. After years of doing fieldwork in Bosavi, Papua New G... |
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