Politics, Poetry and Performance at a Time of Surveillance: (In)secure Home(land)s in Laurie Anderson’s Multimedia Art Work
Abstract: This article discusses three recent and related works by Laurie Anderson. It starts by looking at her Dirtday! multimedia performance (2012) in Torres Novas, Portugal and goes on to examine how that performance drew on themes explored in her album Homeland (2010) and anticipated some of th...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/clo, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Cahiers de littérature orale
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |