Voice and Voicing: Genre, Poetics, and Metapragmatics in Bob Dylan’s “Tangled Up in Blue”

Abstract: This article interprets the plurality of voices at play in the performance design of “Tangled Up in Blue” as the meta-pragmatic structures of the singer-songwriter’s relation to the listener. The author divides her task into a study of sonic, generic and stylistic, and pragmatic and metapr...

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Bibliografiske detaljer
Udgivet i:URI:https://journals.openedition.org/clo,
Hovedforfatter: Mason, Catharine
Format: Article ou chapitre numérique
Sprog:Anglais
Udgivet: Cahiers de littérature orale 2024
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Online adgang:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/127v3
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/clo/12783