Voice and Voicing: Genre, Poetics, and Metapragmatics in Bob Dylan’s “Tangled Up in Blue”
Abstract: This article interprets the plurality of voices at play in the performance design of “Tangled Up in Blue” as the meta-pragmatic structures of the singer-songwriter’s relation to the listener. The author divides her task into a study of sonic, generic and stylistic, and pragmatic and metapr...
Guardado en:
| Publicado en: | URI:https://journals.openedition.org/clo, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
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Cahiers de littérature orale
2024
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |