The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964)
Illustration published in the review Život strany in 1964 commemorating the 1944 Slovak national uprising (Source: Národní Archiv, knihovna – Knih. A collection, sgin. C 532).Communist iconography was intended to incarnate and encourage the break with traditional representations of gender. Yet the...
Gorde:
| Argitaratua izan da: | URI:https://journals.openedition.org/cliowgh, |
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| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
Clio
2022
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:cliowgh_974 |
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openedition |
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openedition-oai:revues.org:cliowgh_974 https://doi.org/10.4000/cliowgh.974 urn:doi:10.4000/cliowgh.974 en https://journals.openedition.org/cliowgh/974 2022-10-11T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/e3to All rights reserved The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964) Illustration published in the review Život strany in 1964 commemorating the 1944 Slovak national uprising (Source: Národní Archiv, knihovna – Knih. A collection, sgin. C 532).Communist iconography was intended to incarnate and encourage the break with traditional representations of gender. Yet the latter gradually reappeared there – under the guise, for example, of the female agricultural worker and/or mother. But in order to grasp how and to what extent these representations persisted, it i... Clio Belin info:eu-repo/semantics/reference/issn/2554-3822 URI:https://journals.openedition.org/cliowgh Christian, Michel |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Illustration published in the review Život strany in 1964 commemorating the 1944 Slovak national uprising (Source: Národní Archiv, knihovna – Knih. A collection, sgin. C 532).Communist iconography was intended to incarnate and encourage the break with traditional representations of gender. Yet the latter gradually reappeared there – under the guise, for example, of the female agricultural worker and/or mother. But in order to grasp how and to what extent these representations persisted, it i... |
| author |
Christian, Michel |
| spellingShingle |
Christian, Michel The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964) |
| author_facet |
Christian, Michel |
| author_sort |
Christian, Michel |
| title |
The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964) |
| title_short |
The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964) |
| title_full |
The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964) |
| title_fullStr |
The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964) |
| title_full_unstemmed |
The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964) |
| title_sort |
mother and the partisan: a representation of peace and war in the czechoslovak communist party press (1964) |
| publisher |
Clio |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/cliowgh |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cliowgh.974 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cliowgh/974 |
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