The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964)
Illustration published in the review Život strany in 1964 commemorating the 1944 Slovak national uprising (Source: Národní Archiv, knihovna – Knih. A collection, sgin. C 532).Communist iconography was intended to incarnate and encourage the break with traditional representations of gender. Yet the...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/cliowgh, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Clio
2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | Illustration published in the review Život strany in 1964 commemorating the 1944 Slovak national uprising (Source: Národní Archiv, knihovna – Knih. A collection, sgin. C 532).Communist iconography was intended to incarnate and encourage the break with traditional representations of gender. Yet the latter gradually reappeared there – under the guise, for example, of the female agricultural worker and/or mother. But in order to grasp how and to what extent these representations persisted, it i... |
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