New Worlds: Matching and Recontextualizing Poetry Excerpted from Fiction in the Monogatari nihyakuban utaawase
Prior to 1206, the poet Fujiwara no Teika (1162-1241) took two hundred poems (waka) from the Genji monogatari and the Sagoromo monogatari, both Heian-period novels, and matched them in the style of a poetry competition (utaawase). The resulting work is known as Hyakuban utaawase (Poetry Competition...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/cjs, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Cipango - French Journal of Japanese Studies
2015
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | Prior to 1206, the poet Fujiwara no Teika (1162-1241) took two hundred poems (waka) from the Genji monogatari and the Sagoromo monogatari, both Heian-period novels, and matched them in the style of a poetry competition (utaawase). The resulting work is known as Hyakuban utaawase (Poetry Competition in One Hundred Rounds) or Genji Sagoromo utaawase (A Competition of Poems from the Genji and the Sagoromo). An analysis of Rounds 45-52 of the competition yields an understanding of Teika’s methodology in matching competing poems, and demonstrates that the work was created in order to reveal new artistic possibilities in waka. |
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