Introduction
Issues 20 and 21 of Cipango, published respectively in 2013 and 2014, both explored the subject of Japan’s performing arts.Issue 20 focused on the performing arts during the modern period, in particular the confrontation between traditions and modernity as Japan opened up to the outside world.Jean‑...
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| Publicat a: | URI:https://journals.openedition.org/cjs, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Cipango - French Journal of Japanese Studies
2019
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:cjs_1264 |
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openedition |
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openedition-oai:revues.org:cjs_1264 https://doi.org/10.4000/cjs.1264 urn:doi:10.4000/cjs.1264 en https://journals.openedition.org/cjs/1264 2019-07-16T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/e1j0 https://creativecommons.org/licenses/by-nc/4.0/ Introduction Issues 20 and 21 of Cipango, published respectively in 2013 and 2014, both explored the subject of Japan’s performing arts.Issue 20 focused on the performing arts during the modern period, in particular the confrontation between traditions and modernity as Japan opened up to the outside world.Jean‑Jacques Tschudin continued his work examining how Japan’s performing arts—in this case kabuki—were introduced to European audiences via the tours conducted by Kawakami Otojirō, Hanako and, most par... Cipango - French Journal of Japanese Studies INALCO info:eu-repo/semantics/reference/issn/2268-1744 URI:https://journals.openedition.org/cjs Griolet, Pascal |
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OpenEdition Journal |
| language |
Anglais |
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Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Issues 20 and 21 of Cipango, published respectively in 2013 and 2014, both explored the subject of Japan’s performing arts.Issue 20 focused on the performing arts during the modern period, in particular the confrontation between traditions and modernity as Japan opened up to the outside world.Jean‑Jacques Tschudin continued his work examining how Japan’s performing arts—in this case kabuki—were introduced to European audiences via the tours conducted by Kawakami Otojirō, Hanako and, most par... |
| author |
Griolet, Pascal |
| spellingShingle |
Griolet, Pascal Introduction |
| author_facet |
Griolet, Pascal |
| author_sort |
Griolet, Pascal |
| title |
Introduction |
| title_short |
Introduction |
| title_full |
Introduction |
| title_fullStr |
Introduction |
| title_full_unstemmed |
Introduction |
| title_sort |
introduction |
| publisher |
Cipango - French Journal of Japanese Studies |
| publishDate |
2019 |
| container_title |
URI:https://journals.openedition.org/cjs |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cjs.1264 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cjs/1264 |
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