Introduction
Issues 20 and 21 of Cipango, published respectively in 2013 and 2014, both explored the subject of Japan’s performing arts.Issue 20 focused on the performing arts during the modern period, in particular the confrontation between traditions and modernity as Japan opened up to the outside world.Jean‑...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/cjs, |
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| Prif Awdur: | |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Anglais |
| Cyhoeddwyd: |
Cipango - French Journal of Japanese Studies
2019
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Crynodeb: | Issues 20 and 21 of Cipango, published respectively in 2013 and 2014, both explored the subject of Japan’s performing arts.Issue 20 focused on the performing arts during the modern period, in particular the confrontation between traditions and modernity as Japan opened up to the outside world.Jean‑Jacques Tschudin continued his work examining how Japan’s performing arts—in this case kabuki—were introduced to European audiences via the tours conducted by Kawakami Otojirō, Hanako and, most par... |
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