Aboriginal bark paintings as “religious heritage”? Sharing responsibility over legacy collections in museum exhibitions
Since the late 1920s, Arnhem Land bark paintings have found their way into the most prestigious museums in the world. Referred to as “the backbone of the land and sea” by Yolŋu scholar Joe Neparrŋa Gumbula (2010), these historical paintings materialise the religious knowledge, authority, and agency...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/civilisations, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Civilisations
2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |