Niyi Osundare and the Marginalised Majority in Songs of the Season
This reads Osundare’s poems as exhibiting a striking unity of vision, giving expression to the poet’s identification with the marginalized, but also as proceeding from an indebtedness to a variety of traditions, the most important being Yoruba popular (performance) poetry.
Zapisane w:
| Wydane w: | URI:https://journals.openedition.org/ces, |
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| 1. autor: | |
| Format: | Article ou chapitre numérique |
| Język: | Anglais |
| Wydane: |
Commonwealth Essays and Studies
2022
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| Dostęp online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Streszczenie: | This reads Osundare’s poems as exhibiting a striking unity of vision, giving expression to the poet’s identification with the marginalized, but also as proceeding from an indebtedness to a variety of traditions, the most important being Yoruba popular (performance) poetry. |
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