The “seeds of madness” in Wide Sargasso Sea: The Novel and its Avatars
The aim of this paper is to examine Wide Sargasso Sea in the light of two early manuscripts, “Creole” and the last chapter of Voyage in the Dark, which may have influenced the composition of Jean Rhys’s last novel. To a certain extent, Wide Sargasso Sea enabled Rhys to resurrect prior sketches she h...
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| Publicado en: | URI:https://journals.openedition.org/ces, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Commonwealth Essays and Studies
2022
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:ces_8749 |
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openedition |
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openedition-oai:revues.org:ces_8749 https://doi.org/10.4000/ces.8749 urn:doi:10.4000/ces.8749 en https://journals.openedition.org/ces/8749 2022-02-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dt1w https://creativecommons.org/licenses/by-nc-nd/4.0/ The “seeds of madness” in Wide Sargasso Sea: The Novel and its Avatars Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Rovera, Catherine The aim of this paper is to examine Wide Sargasso Sea in the light of two early manuscripts, “Creole” and the last chapter of Voyage in the Dark, which may have influenced the composition of Jean Rhys’s last novel. To a certain extent, Wide Sargasso Sea enabled Rhys to resurrect prior sketches she had written a long time before she intended to rectify Charlotte Brontë’s misrepresentation of Caribbean madness. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The aim of this paper is to examine Wide Sargasso Sea in the light of two early manuscripts, “Creole” and the last chapter of Voyage in the Dark, which may have influenced the composition of Jean Rhys’s last novel. To a certain extent, Wide Sargasso Sea enabled Rhys to resurrect prior sketches she had written a long time before she intended to rectify Charlotte Brontë’s misrepresentation of Caribbean madness. |
| author |
Rovera, Catherine |
| spellingShingle |
Rovera, Catherine The “seeds of madness” in Wide Sargasso Sea: The Novel and its Avatars |
| author_facet |
Rovera, Catherine |
| author_sort |
Rovera, Catherine |
| title |
The “seeds of madness” in Wide Sargasso Sea: The Novel and its Avatars |
| title_short |
The “seeds of madness” in Wide Sargasso Sea: The Novel and its Avatars |
| title_full |
The “seeds of madness” in Wide Sargasso Sea: The Novel and its Avatars |
| title_fullStr |
The “seeds of madness” in Wide Sargasso Sea: The Novel and its Avatars |
| title_full_unstemmed |
The “seeds of madness” in Wide Sargasso Sea: The Novel and its Avatars |
| title_sort |
“seeds of madness” in wide sargasso sea: the novel and its avatars |
| publisher |
Commonwealth Essays and Studies |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/ces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ces.8749 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ces/8749 |
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