Broadening and Narrowing Horizons in Zoë Wicomb’s The One That Got Away
In her most recent work of fiction, The One That Got Away (2008), a short story cycle of both place and character, Wicomb continues her exploration of the limits of the short story genre. This article shows how, as characters slip in and out of stories, and as the topographical, cultural and lexical...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ces, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Commonwealth Essays and Studies
2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |