“All that Romantic Taxidermy”: Derek Walcott’s Caribbean Bestiary
This article examines the genre of the bestiary poem in the context of Derek Walcott’s work, using the theories of the French philosopher Michel Pêcheux to explore the ways in which the related concepts of identification, counter-identification and dis-identification interact in Walcott’s poetry to...
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| Veröffentlicht in: | URI:https://journals.openedition.org/ces, |
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| 1. Verfasser: | |
| Format: | Article ou chapitre numérique |
| Sprache: | Anglais |
| Veröffentlicht: |
Commonwealth Essays and Studies
2021
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Zusammenfassung: | This article examines the genre of the bestiary poem in the context of Derek Walcott’s work, using the theories of the French philosopher Michel Pêcheux to explore the ways in which the related concepts of identification, counter-identification and dis-identification interact in Walcott’s poetry to complex and sometimes ambiguous effect. |
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