“Bastardizing” The Conference of the Birds in Salman Rushdie’s Grimus
Grimus has been largely ignored by postcolonial critics and is seldom studied on its own terms. This paper examines the iconoclastic, pattern-breaking pattern of Rushdie’s first novel. A parody of The Conference of the Birds – an allegory by the major twelfth-century Persian poet Attar – Grimus is c...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/ces, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Commonwealth Essays and Studies
2021
|
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | Grimus has been largely ignored by postcolonial critics and is seldom studied on its own terms. This paper examines the iconoclastic, pattern-breaking pattern of Rushdie’s first novel. A parody of The Conference of the Birds – an allegory by the major twelfth-century Persian poet Attar – Grimus is characterized by a carnivalesque sense of the world. The novel challenges the foundation upon which this masterpiece of Sufi literature is constructed, revealing Rushdie’s deep-seated aversion to the bogey of authenticity. |
|---|