Subaltern Geoaesthetics in Amitav Ghosh’s The Hungry Tide
This article, on Amitav Ghosh’s novel The Hungry Tide, examines the development of a postcolonial aesthetic that draws on India’s experience with internal and external borders, on the specific border country of the Sundarbans and its ambivalent land-water space, and on a subaltern approach that has...
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| Udgivet i: | URI:https://journals.openedition.org/ces, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
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Commonwealth Essays and Studies
2021
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | This article, on Amitav Ghosh’s novel The Hungry Tide, examines the development of a postcolonial aesthetic that draws on India’s experience with internal and external borders, on the specific border country of the Sundarbans and its ambivalent land-water space, and on a subaltern approach that has developed from being a historiographic method to an aesthetic choice in Amitav Ghosh’s work. It argues that this subaltern geoaesthetic structures this novel and is characterized by an understanding of human and nature relationships that might be described by what Luce Irigaray has described as “approaching the other as other.” |
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