Brenda Beckman-Long, Carol Shields and the Writer-Critic
Even though Carol Shields’s work has received considerable attention, very few monographs have been devoted to her: Adriana Trozzi’s was the first one (Carol Shields’ Magic Wand: Turning the Ordinary into the Extraordinary, 2001) and the second and most recent one so far was Alex Ramon’s enlighteni...
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| Publicat a: | URI:https://journals.openedition.org/ces, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Commonwealth Essays and Studies
2021
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | Even though Carol Shields’s work has received considerable attention, very few monographs have been devoted to her: Adriana Trozzi’s was the first one (Carol Shields’ Magic Wand: Turning the Ordinary into the Extraordinary, 2001) and the second and most recent one so far was Alex Ramon’s enlightening Liminal Spaces: The Double Art of Carol Shields (2008). Contrary to these, Brenda Beckman-Long’s Carol Shields and the Writer-Critic does not examine Shields’s work exhaustively as she leaves as... |
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