By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles

Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary, non-linear form to depict their contemporary society as a multi-temporal present that is haunted by its colonial past. By blending different narrative modes, including moral fable, political allegor...

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izdano v:URI:https://journals.openedition.org/ces,
Glavni avtor: Santayana, Vivek
Format: Article ou chapitre numérique
Jezik:Anglais
Izdano: Commonwealth Essays and Studies 2019
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spelling openedition-oai:revues.org:ces_435 https://doi.org/10.4000/ces.435 urn:doi:10.4000/ces.435 en https://journals.openedition.org/ces/435 2019-11-05T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dsw9 https://creativecommons.org/licenses/by-nc-nd/4.0/ By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles Commonwealth Essays and Studies SEPC (Société d’études des pays du Commonwealth) info:eu-repo/semantics/reference/issn/2534-6695 info:eu-repo/semantics/reference/issn/2270-0633 URI:https://journals.openedition.org/ces Santayana, Vivek Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary, non-linear form to depict their contemporary society as a multi-temporal present that is haunted by its colonial past. By blending different narrative modes, including moral fable, political allegory and social realism, the stories engage with the injustices of a capitalist world-system in post-apartheid South Africa that are manifested simultaneously across different temporal and geographical scales.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
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description Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary, non-linear form to depict their contemporary society as a multi-temporal present that is haunted by its colonial past. By blending different narrative modes, including moral fable, political allegory and social realism, the stories engage with the injustices of a capitalist world-system in post-apartheid South Africa that are manifested simultaneously across different temporal and geographical scales.
author Santayana, Vivek
spellingShingle Santayana, Vivek
By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles
author_facet Santayana, Vivek
author_sort Santayana, Vivek
title By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles
title_short By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles
title_full By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles
title_fullStr By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles
title_full_unstemmed By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles
title_sort by “the flash of fireflies”: multi-focal forms of critique in nadine gordimer’s late short story cycles
publisher Commonwealth Essays and Studies
publishDate 2019
container_title URI:https://journals.openedition.org/ces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ces.435
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ces/435
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